The Twilight Saga: Breaking Dawn - Part 2 (2012)
The Twilight Saga- Breaking Dawn - Part 2: The final Twilight Saga begins with Bella now a vampire learning to use her abilities. And happy to see her daughter, Renesmee is flourishing. But when someone sees Renesmee do something that makes them think that she was turned. This person goes to the Volturi, because it is a violation to turn a child. And the penalty is death for both who turned the child into a vampire and the child, cause they deem a turned child too dangerous. Alice gets a vision of the Volturi coming after them. Sad love story korean drama torrent download. So the Cullens try to convince them that Renesmee is not a threat. So they ask friends and family to come stand with them. But when someone who has it in for the Volturi shows up and tells them they should be ready for a fight. And they get ready.
Carter Burwell's score for the final installment of The Twilight Saga, Breaking Dawn, Pt. 2, reflects the higher stakes for Bella, Edward, Jacob, and those near and dear to them. Where his music for the first part of Breaking Dawn was largely restrained and romantic, here he amps up the drama and, especially, the action on cues such as 'A Kick in the Head,' 'A Crack in the Earth,' and 'Exacueret Nostri Dentes in Filia,' where pummeling percussion and majestic strings and brass add gravitas to the proceedings. Download kurdish fonts zanest. Elsewhere, 'Sparkles at Last' and 'Chasing Snowflakes' add somber beauty, while 'Renesmee's Lullaby/Something Terrible' is another fine showcase for Burwell's flair for haunting melodies. The score's opening and closing tracks, 'Twilight Overture' and 'Such a Prize,' somehow manage to combine all these elements into pieces that provide fitting bookends to the close of The Twilight Saga. Swords and sandals 2 download full version.
Sample | Title/Composer | Performer | Time | |
---|---|---|---|---|
The Twilight Saga: Breaking Dawn, Part 2 | ||||
1 | 3:02 | |||
2 | 1:11 | |||
3 | 2:01 | |||
4 | 2:45 | |||
5 | 1:02 | |||
6 | 1:06 | |||
7 | 1:41 | |||
8 | 2:05 | |||
9 | 0:45 | |||
10 | 1:06 | |||
11 | 3:06 | |||
12 | 1:38 | |||
13 | 1:01 | |||
14 | 1:11 | |||
15 | 1:24 | |||
16 | 1:37 | |||
17 | 0:59 | |||
18 | 2:11 | |||
19 | 1:17 | |||
20 | 1:49 | |||
21 | 1:13 | |||
22 | 2:13 | |||
23 | 2:16 | |||
24 | 2:47 | |||
25 | 0:58 | |||
26 | 0:57 | |||
27 | 1:12 | |||
28 | 2:53 | |||
29 | 2:44 | |||
30 | 1:04 | |||
31 | 1:45 | |||
32 | 1:20 | |||
33 | 2:26 | |||
34 | 1:54 | |||
35 | 0:53 | |||
36 | 3:25 |
Twilight Breaking Dawn 2
Since Breaking Dawn is the final installment of the Twilight Saga, it's fitting that the film's soundtrack is dominated by ballads that feel like a long goodbye to Bella, Edward, and Jacob. Despite opening with Passion Pit's relatively cheery 'Where I Come From' -- one of the more overt nods to the series' mostly happy ending -- songs such as Pop Etc.'s 'Speak Up' and Iko's 'Heart of Stone' define The Twilight Saga: Breaking Dawn's music with their breathy harmonies, spare instrumentation, and ultra-earnest tone. The set sometimes threatens to become too maudlin and monotonous, but Ellie Goulding's 'Bittersweet' and Feist's 'Fire in the Water' add a spark of creativity to the proceedings. Likewise, St. Vincent's mischievous 'The Antidote,' which isn't just the most straightforwardly rock song here, but also a good deal heavier than anything on her previous album, Strange Mercy, provides enough playfully sinister vibes to remind everyone that this is a film about vampires. Interestingly, Breaking Dawn is less star-studded than some of the previous Twilight Saga soundtracks, with the notable exception of Green Day, whose 'The Forgotten' sounds a bit like an Americanized version of Oasis' 'Don't Look Back in Anger.' As with the other volumes of the series' music, however, this collection provides a surprisingly good showcase for female, indie-ish talent (though Reeve Carney's 'New for You' and James Vincent McMorrow's 'Ghosts' close the gender gap somewhat). While Breaking Dawn isn't one of the more dynamic Twilight Saga soundtracks, it is one of the more emotive ones, and just may help fans get some closure as one of the biggest film franchises of the 2000s and 2010s comes to a close.
Sample | Title/Composer | Performer | Time |
---|---|---|---|
1 | 3:39 | ||
2 | Ellie Goulding / Sonny Moore | 3:56 | |
3 | Billie Joe Armstrong / Frank E. Wright III / Mike Pritchard | 4:59 | |
4 | 2:30 | ||
5 | Andy Ellis / Vega Schenk | 4:25 | |
6 | 3:39 | ||
7 | 4:40 | ||
8 | 3:53 | ||
9 | 4:31 | ||
10 | 3:44 | ||
11 | Paul McDonald / Nikki Reed | 3:56 | |
12 | 3:10 | ||
13 | David Hodges / Christina Perri | 5:07 | |
14 | 4:15 |